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OPEN, STAY
PRODUCTION STAGE MANAGER

New York City Presentation 

Music/Lyrics: Anna DeNoia

Arrangements/Orchestrations: Joshua Villa

Book Writer: Kyle Holmes

Director: Mindy Cooper

Choreographer: Ephrat Asherie

Music Director: Graham Sobelman

Vocal Direction/Arrangements: George Luton

Asst. Director: Anvita Gattani

Asst. Choreographer: Stephanie Nelson

Asst. Stage Manager: Alec Gould

Cast of  6

Unique Elements

  • Immersive Production

  • Workshop with Creative Team in-house 

  • Very light tech due to space limitations (All tech controlled via QLab and Remote Lighting App)

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SEX N' THE CITY
REHEARSAL &TOUR DECK  STAGE MANAGER

Entertainment Events Inc. 

​Book/Adaptation: Valerie Witherspoon

Director: Amy Jones

Production Manager: Diana Conte

Cast of  5

Unique Elements

  • Limited rehearsal props

  • Single-person SM team

  • Touring Production 

  • Simultaneously on tour with another production

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LITTLE SHOP OF HORRORS
PRODUCTION STAGE MANAGER

Florida Repertory Theatre: Education

Director: Monique Caldwell

Music Director: Emily Turtle

Choreographer: Whitney Grace

Scenic Design: Nick Lease

Lighting Design: Paul Kwok

Costume Design: Ben Nabinger

Sound Design: Katie Lowe

Asst. Stage Manager: Catalina Rice

Cast of  17, Crew of 6

Unique Elements

  • Short rehearsal process ( 2 1/2 weeks, 4 day tech) with max. 3 hour rehearsals/day

  • Work with teenagers

  • Puppetry

  • First time working with a midi for sound cues

  • Semi-last minute swing on for supporting character from ensemble cast that did not cover the track

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MURDER BALLAD 
PRODUCTION STAGE MANAGER

The University of Alabama 
Director/Intimacy Director: Ashley White

Music Director: Dr. William A. Martin

Scenic Design: Regan Ellward

Lighting Design: :Libby Zamiska

Costume Design: Grace Weir

Sound Design: Benjo J. Verge

Properties Design: Matthew Stratton

Production Manager: F. Randy DeCelle

Technical Director: Samuel Marchitto
1st Asst. Stage Manager: Katie Harmon
2nd Asst. Stage Manager: Gabbie Woodman

Cast of 4, Crew of 10, Band of 4

Unique Elements

  • Intense intimacy 

  • Sung-through show

  • Consumable liquids onstage

  • First-time assisting management team 

  • Long gap in-between rehearsals due to academic term break 

  • Live band

  • Conductor-based lighting cues

  • Entrance point that requires actors to cross around outside of the building 

THE IMAGINARY INVALID
PRODUCTION STAGE MANAGER

The University of Alabama

Adapted by: Constance Congdon

Original Music: Benji Kozuch 
Director/Movement Choreographer: Kelley Schoger

Dramaturg: Dr. Misha Hadar

Scenic Design: Madison Grant

Lighting Design: Libby Zamiska

Costume Design: Joseph Musgrove

Sound Design: Benjo J. Verge

Properties Design: Regan Ellward

Hair & Makeup Design: Leena Summer

Technical Director: Samuel Marchitto
1st Asst. Stage Manager: Searcy Wilemon
2nd Asst. Stage Manager: Hannah Vawter

Cast of  21, Crew of 12

Unique Elements

  • Corporal Mime work

  • Mostly chair-bound actor in a chair moved around by cast

  • Shadow work

  • Stage combat work 

  • Flexible Script

  • Understudies/Ensemble Swings

  • Unnamed ensemble tracking 

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PETER/WENDY
 STAGE MANAGER

Interlochen Arts Camp 
Director/Costume & Sound Design: Bridgett Vanderhoof

Scenic Design: Stephen John

Lighting Design: Jeff Block

Cast of  7, Crew of  2

Unique Elements

  • Minor actors

  • Camp environment 

  • Prop tracking within moveable set pieces

  • Short rehearsal process

  • SM responsible for all lighting/sound elements including programming and running boards

  • No assisting team 

BASKERVILLE: A SHERLOCK HOLMES MYSTERY
PRODUCTION STAGE MANAGER

The University of Alabama 
Director: Ashley White

Movement & Puppetry Director: Matt Davis

Scenic Design: Matthew Stratton

Lighting Design: Matthew Reynolds

Costume Design: Leena Summer

Sound Design: Benjo J. Verge

Properties Design: Teila Vochatzer

1st Asst. Stage Manager: Searcy Wilemon
2nd Asst. Stage Manager: Robert Fuson

Cast of  12, Crew of 11

Unique Elements​

  • Split Track Characters

  • Puppetry 

  • First-time assistant management team

  • Actor stepped into a lead role they did not cover 3 hours prior to GO

  • Prop weapons including firearms and knives

  • Entrance point that requires actors to cross around outside of the building 

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PIPELINE
ASSISTANT STAGE MANAGER

The University of Alabama 
Director: Ashley White

Choreographer: Bria Tyner

Scenic Design: Madison Grant

Lighting Design: Shea Glenn

Projection Design: Teresa Gawrych

Costume Design: Joseph L. Musgrove

Properties Design: Regan Ellward

Technical Director: Samuel Marchitto

Prod. Stage Manager: Caridad Guy

Cast of 6, Crew of 8

Unique Elements

  • COVID-19 Protocols

  • Actor-motivated choreographed transitions 

  • Very green run crew 

  • First live production for company post-shutdown 

  • Entrance point that requires actors to cross around outside of the building 

IF ONLY THE LONELY WERE HOME
STAGE MANAGER

Interlochen Arts Camp

Playwright: Finegan Kruckemeyer

Director/Costume & Sound Design: Bridgett Vanderhoof

Scenic Design: Stephen John

Lighting Design: Jeff Block​

Cast of 6, Crew of  2

Unique Elements

  • Minor actors

  • Camp environment 

  • Prop tracking within moveable set pieces

  • Short rehearsal process

  • SM responsible for all lighting/sound elements including programming and running boards

  • Assisting team was made up of two Intermediate campers brand new to a theatre environment 

  • COVID-19 Protocols with minors 

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SPRING AWAKENING
ASSISTANT STAGE MANAGER

The University of Alabama 
Director/Choreographer: Stacy Alley

Music Director: Henry Lewers

Intimacy Director: Kelley Schoger

Scenic Design: Chris Mueller

Lighting Design: Benton Davis

Costume Design: Elizabeth Blanco Saenz

Sound Design: Matthew Reynolds

Properties Design: Teila Vochatzer

Prod. Stage Manager: Allison Darlene
Stage Manager: Caridad Guy

Cast of 13, Crew of 9

Unique Elements

  • COVID-19 protocols 

  • Show was filmed for production

  • Heavy use of props

  • During tech, we were notified we would have two live performances for very small audiences, which shifted our production tracks 

  • Intimacy with COVID-19 protocols 

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